{"id":494,"date":"2022-09-10T18:45:01","date_gmt":"2022-09-10T17:45:01","guid":{"rendered":"https:\/\/virtualperson.org\/deja-vu\/?p=494"},"modified":"2022-09-11T13:12:46","modified_gmt":"2022-09-11T12:12:46","slug":"poesie-concrete","status":"publish","type":"post","link":"https:\/\/virtualperson.org\/deja-vu\/poesie-concrete\/","title":{"rendered":"Po\u00e9sie Concr\u00e8te"},"content":{"rendered":"

\"\"<\/a><\/p>\n

CALLIGRAMMES<\/a><\/h1>\n

Calligrammes<\/b><\/i>, sous-titr\u00e9\u00a0Po\u00e8mes de la paix et de la guerre 1913-1916<\/i>, est un recueil de\u00a0po\u00e9sie concr\u00e8te<\/a>\u00a0de\u00a0Guillaume Apollinaire<\/a>\u00a0publi\u00e9 le 15 avril\u00a01918\u00a0aux \u00e9ditions\u00a0Mercure de France\u00a0et contenant de nombreux\u00a0calligrammes<\/a>.<\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

 <\/p>\n

\"\"<\/a><\/p>\n

La po\u00e9sie concr\u00e8te<\/a><\/h1>\n

\"\"<\/a><\/p>\n

(by Ian Hamilton Finlay)<\/p>\n

S’inspirant des arts plastiques non figuratifs, ces auteurs ont cherch\u00e9 \u00e0 mettre en avant la structure du po\u00e8me, en l’associant \u00e0 la disposition spatiale des mots, pour exprimer du sens. Il s’agit de repenser non seulement le po\u00e8me, mais son support, qui est la page blanche consid\u00e9r\u00e9e comme espace \u00e0 part enti\u00e8re. Selon la forme du texte et la disposition des mots, le rythme de lecture diff\u00e8re du rythme de lecture lin\u00e9aire habituel. L’id\u00e9e est exprim\u00e9e \u00e0 travers le graphe form\u00e9 par les mots, \u00e0 la mani\u00e8re des id\u00e9ogrammes.<\/p>\n

Quelques examples de Po\u00e9sie Concr\u00e8te<\/a><\/h2>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

CALLIGRAMMES Calligrammes, sous-titr\u00e9\u00a0Po\u00e8mes de la paix et de la guerre 1913-1916, est un recueil de\u00a0po\u00e9sie concr\u00e8te\u00a0de\u00a0Guillaume Apollinaire\u00a0publi\u00e9 le 15 avril\u00a01918\u00a0aux \u00e9ditions\u00a0Mercure de France\u00a0et contenant de nombreux\u00a0calligrammes.     La po\u00e9sie concr\u00e8te (by Ian Hamilton Finlay) S’inspirant des arts plastiques non figuratifs, ces auteurs ont cherch\u00e9 \u00e0 mettre en avant la structure du po\u00e8me, en l’associant […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-494","post","type-post","status-publish","format-standard","hentry","category-ecrit"],"_links":{"self":[{"href":"https:\/\/virtualperson.org\/deja-vu\/wp-json\/wp\/v2\/posts\/494","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/virtualperson.org\/deja-vu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/virtualperson.org\/deja-vu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/virtualperson.org\/deja-vu\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/virtualperson.org\/deja-vu\/wp-json\/wp\/v2\/comments?post=494"}],"version-history":[{"count":8,"href":"https:\/\/virtualperson.org\/deja-vu\/wp-json\/wp\/v2\/posts\/494\/revisions"}],"predecessor-version":[{"id":720,"href":"https:\/\/virtualperson.org\/deja-vu\/wp-json\/wp\/v2\/posts\/494\/revisions\/720"}],"wp:attachment":[{"href":"https:\/\/virtualperson.org\/deja-vu\/wp-json\/wp\/v2\/media?parent=494"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/virtualperson.org\/deja-vu\/wp-json\/wp\/v2\/categories?post=494"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/virtualperson.org\/deja-vu\/wp-json\/wp\/v2\/tags?post=494"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}