{"id":329,"date":"2021-05-26T19:35:56","date_gmt":"2021-05-26T18:35:56","guid":{"rendered":"https:\/\/virtualperson.org\/deja-vu\/?p=329"},"modified":"2022-06-27T21:14:21","modified_gmt":"2022-06-27T20:14:21","slug":"oeuvres-de-reference","status":"publish","type":"post","link":"https:\/\/virtualperson.org\/deja-vu\/oeuvres-de-reference\/","title":{"rendered":"Oeuvres de r\u00e9f\u00e9rence"},"content":{"rendered":"

Textes en pdf, textes en ligne<\/b><\/span><\/span><\/p>\n

L’art web au bout des doigts, par Ginette Daigneault<\/span><\/span><\/p>\n

http:\/\/about.mouchette.org\/lart-web-lart-au-bout-des-doigts\/<\/span><\/span><\/u><\/span><\/span><\/a>
\ndocument pdf: \u00e9tudier le chapitre d’introduction ou lire au complet<\/span><\/span><\/p>\n

http:\/\/about.mouchette.org\/wp-content\/uploads\/2013\/02\/daigneault_Rev_acfas09.pdf<\/span><\/span><\/u><\/span><\/span><\/a>
\n<\/span><\/span><\/p>\n

La performativit\u00e9 du langage<\/span><\/span><\/p>\n

https:\/\/www.growthinktank.org\/la-performativite-du-langage\/<\/span><\/span><\/u><\/span><\/span><\/a><\/p>\n

Net Art et nouvelles formes d”exposition par Jean Paul Fourmentraux<\/span><\/span><\/p>\n

http:\/\/about.mouchette.org\/image-and-narrative-2\/<\/span><\/span><\/u><\/span><\/span><\/a>
\ndocument pdf: \u00e9tudier le chapitre d’introduction ou lire au complet<\/span><\/span><\/p>\n

http:\/\/about.mouchette.org\/wp-content\/uploads\/2015\/07\/Fourmentraux2007.pdf<\/span><\/span><\/u><\/span><\/span><\/p>\n

Collection de textes en fran\u00e7ais sur le net-art archiv\u00e9s sur un de mes sites<\/span><\/span><\/p>\n

http:\/\/about.mouchette.org\/category\/francais\/<\/span><\/span><\/u><\/span><\/span><\/a><\/p>\n

2 articles autour d’une exposition en ligne
\n<\/span><\/span>https:\/\/www.artshebdomedias.com\/article\/access-a-pau-retour-historique-sur-20-ans-dart-connecte\/<\/span><\/span><\/u><\/span><\/span><\/a><\/p>\n

https:\/\/www.artshebdomedias.com\/article\/le-netart-une-histoire-en-cours-avec-thomas-cheneseau\/<\/span><\/span><\/u><\/span><\/span><\/a><\/p>\n

Exposition en ligne au Centre Georges Pompidou, avec commentaire video<\/span><\/span><\/p>\n

9 oeuvres abstraites pour le navigateur internet<\/span><\/span><\/p>\n

https:\/\/www.centrepompidou.fr\/fr\/programme\/expositions-musee\/sans-objet<\/span><\/span><\/u><\/span><\/span>?<\/span><\/span><\/a><\/p>\n

Pr\u00e9sentation de l’exposition par son commissaire, Philippe Bettinelli, video 15 minutes<\/span><\/span><\/span><\/p>\n

Videos en ligne<\/b><\/span><\/span><\/p>\n

\u201cA quoi sert l’art?\u201d Par Bernard Stiegler, 36:16<\/span><\/span><\/p>\n

https:\/\/www.youtube.com\/watch?v=-3mrwqeFGao<\/span><\/span><\/u><\/span><\/span><\/a><\/p>\n

Pour suivre le texte en fran\u00e7ais \u00e9crit , activer la transcription automatique dans le menu en bas \u00e0 gauche ( 5% d’erreurs environ, surtout sur les nom propres).<\/span><\/span><\/p>\n

L’Ab\u00e9c\u00e9daire de Gilles Deleuze (avec la transcription automatique sur youtube)<\/span><\/span><\/p>\n

https:\/\/www.youtube.com\/watch?v=SlNYVnCUvVg<\/span><\/span><\/u><\/span><\/span><\/a>
\n<\/span><\/span>https:\/\/fr.wikipedia.org\/wiki\/L%27Ab%C3%A9c%C3%A9daire_de_Gilles_Deleuze<\/span><\/span><\/u><\/span><\/span><\/p>\n

Bavarder en ligne avec un chatbot<\/b><\/span><\/span>
\nIci le chatbot s’appelle Aline<\/span><\/span><\/p>\n

https:\/\/www.virtualspirits.com\/fr\/<\/span><\/span><\/u><\/span><\/span><\/p>\n

Chatbot th\u00e9rapeutique, Owlie<\/span><\/span><\/p>\n

https:\/\/www.owlielechatbot.fr\/<\/span><\/span><\/u><\/span><\/span><\/a><\/p>\n

Des personnages en ligne<\/b><\/span><\/span><\/p>\n

Mouchette
\n<\/span><\/span>http:\/\/mouchette.org\/<\/span><\/span><\/u><\/span><\/span><\/a><\/p>\n

David Still<\/span><\/span><\/p>\n

http:\/\/davidstill.org\/<\/span><\/span><\/u><\/span><\/span><\/a><\/p>\n

Amalia Ullman \u201cExcellences and Perfections\u201d (archive de performances sur Instagram)<\/span><\/span><\/p>\n

https:\/\/webenact.rhizome.org\/excellences-and-perfections\/<\/span><\/span><\/u><\/span><\/span><\/a><\/p>\n

https:\/\/www.newmuseum.org\/exhibitions\/view\/amalia-ulman-excellences-perfections<\/span><\/span><\/u><\/span><\/span><\/p>\n

Roberte La Rousse <\/span><\/span>https:\/\/robertelarousse.fr\/<\/span><\/span><\/u><\/span><\/span><\/a>
\nEliza <\/span><\/span>https:\/\/fr.wikipedia.org\/wiki\/ELIZA<\/span><\/span><\/u><\/span><\/span><\/a><\/p>\n

Alice <\/span><\/span>https:\/\/fr.wikipedia.org\/wiki\/ALICE_(logiciel<\/span><\/span><\/u><\/span><\/span>)<\/span><\/span><\/a><\/p>\n

_jeanne_dark_: <\/b><\/span><\/span>Un Instagram live qui est en m\u00eame temps une pi\u00e8ce de th\u00e9atre donn\u00e9e sur sc\u00e8ne, \u00e0 suivre en temps r\u00e9el sur Instagram (dates annonc\u00e9es \u00e0 l’avance sur le compte Instagram)<\/span><\/span><\/p>\n

https:\/\/www.instagram.com\/_jeanne_dark_\/<\/span><\/span><\/u><\/span><\/span><\/a><\/p>\n

http:\/\/www.bureau-formart.org\/agenda\/_jeanne_dark<\/span><\/span><\/u><\/span><\/span>_<\/span><\/span><\/p>\n

Des personnages c\u00e9l\u00e8bres ou mythologiques<\/b><\/span><\/span><\/p>\n

Jeanne d’Arc personnage historique<\/span><\/span><\/p>\n

https:\/\/virtualperson.org\/deja-vu\/la-vraie-jeanne-darc\/<\/span><\/span><\/u><\/span><\/span><\/a><\/p>\n

Serge Gainsbourg, chanteur et provocateur<\/span><\/span><\/p>\n

https:\/\/virtualperson.org\/deja-vu\/serge-gainsbourg\/<\/span><\/span><\/u><\/span><\/span><\/a><\/p>\n

Vald, rappeur<\/span><\/span><\/p>\n

https:\/\/virtualperson.org\/deja-vu\/vald\/<\/span><\/span><\/u><\/span><\/span><\/p>\n

Intelligence Artificielle<\/b><\/span><\/span><\/p>\n

This Person doesn’t exist <\/span><\/span>https:\/\/thispersondoesnotexist.com\/<\/span><\/span><\/u><\/span><\/span><\/p>\n

Strange attractions <\/span><\/span>https:\/\/strangeattractions.xyz\/<\/span><\/span><\/u><\/span><\/span><\/p>\n

Art Poesie et Langage<\/b><\/span><\/span><\/p>\n

Poesie Concr\u00e8te<\/span><\/span><\/p>\n

https:\/\/virtualperson.org\/deja-vu\/les-calligrammes-dapollinaire\/<\/span><\/span><\/u><\/span><\/span><\/p>\n

Oulipo (Perec, Queneau)<\/span><\/span><\/p>\n

https:\/\/virtualperson.org\/deja-vu\/oulipo\/<\/span><\/span><\/u><\/span><\/span><\/p>\n

Frederic Bruly Bouabr\u00e9<\/span><\/span><\/p>\n

https:\/\/virtualperson.org\/deja-vu\/frederic-bruly-bouabre\/<\/span><\/span><\/u><\/span><\/span><\/p>\n

R\u00e9f\u00e9rences litt\u00e9raires<\/b><\/span><\/span><\/p>\n

Romain Gary \/ Emile Ajar<\/span><\/span><\/p>\n

https:\/\/fr.wikipedia.org\/wiki\/Romain_Gary<\/span><\/span><\/u><\/span><\/span><\/p>\n

https:\/\/journals.openedition.org\/edl\/2406<\/span><\/span><\/u><\/span><\/span><\/p>\n

Romans conseill\u00e9s (d’ Emile Ajar)<\/span><\/span><\/p>\n

Gros C\u00e2lin<\/span><\/span><\/p>\n

La Vie Devant Soi<\/span><\/span><\/p>\n

Fernando Pessoa\/Ricardo Reis\/Bernardo Soares (po\u00e8te portugais, c\u00e9l\u00e8bre pour ses h\u00e9t\u00e9ronymes)<\/span><\/span><\/p>\n

http:\/\/www.bibliomonde.com\/livre\/sur-les-heteronymes-1101.html<\/span><\/span><\/u><\/span><\/span><\/a>
\n<\/span><\/span><\/p>\n

Ouvrages de r\u00e9f\u00e9rence<\/b><\/span><\/span>
\nSur la performativit\u00e9 du language: <\/span><\/span><\/p>\n

-\u201cHow to do things with words\u201d J. L. Austin, 1962, (Titre en fran\u00e7ais: \u201cQuand dire c’est faire\u201d)<\/span><\/span><\/p>\n

Accessible en pdf, et probablement traduit en chinois.
\n<\/span><\/span>https:\/\/www.academia.edu\/36270217\/Austin_1962_how_to_do_things_with_words<\/span><\/span><\/u><\/span><\/span><\/p>\n

La performativit\u00e9 du langage (d’apr\u00e8s Austin<\/span><\/span><\/p>\n

https:\/\/www.growthinktank.org\/la-performativite-du-langage\/<\/span><\/span><\/u><\/span><\/span><\/a><\/p>\n

-\u201cNew Media Art,\u201d Taschen Editions, 2006 by Mark Tribe and Reena Jana, en anglais avec illustrations, se trouve facilement d’occasion ou gratuit en pdf<\/span><\/span><\/span><\/p>\n

Sites d’information<\/b><\/span><\/span><\/span><\/p>\n

Rhizome, site de r\u00e9f\u00e9rence sur les cultures num\u00e9riques. En anglais.<\/span><\/span><\/p>\n

https:\/\/rhizome.org\/<\/span><\/span><\/u><\/span><\/span><\/a><\/p>\n

Magazine d’art num\u00e9rique<\/span><\/span><\/p>\n

https:\/\/poptronics.fr\/<\/span><\/span><\/u><\/span><\/span><\/a><\/p>\n

Blog du workshop, c\u00f4t\u00e9 professeur<\/span><\/span><\/span><\/p>\n

https:\/\/virtualperson.org\/deja-vu\/<\/b><\/span><\/span><\/span><\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Textes en pdf, textes en ligne L’art web au bout des doigts, par Ginette Daigneault http:\/\/about.mouchette.org\/lart-web-lart-au-bout-des-doigts\/ document pdf: \u00e9tudier le chapitre d’introduction ou lire au complet http:\/\/about.mouchette.org\/wp-content\/uploads\/2013\/02\/daigneault_Rev_acfas09.pdf La performativit\u00e9 du langage https:\/\/www.growthinktank.org\/la-performativite-du-langage\/ Net Art et nouvelles formes d”exposition par Jean Paul Fourmentraux http:\/\/about.mouchette.org\/image-and-narrative-2\/ document pdf: \u00e9tudier le chapitre d’introduction ou lire au complet http:\/\/about.mouchette.org\/wp-content\/uploads\/2015\/07\/Fourmentraux2007.pdf Collection […]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-329","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/virtualperson.org\/deja-vu\/wp-json\/wp\/v2\/posts\/329","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/virtualperson.org\/deja-vu\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/virtualperson.org\/deja-vu\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/virtualperson.org\/deja-vu\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/virtualperson.org\/deja-vu\/wp-json\/wp\/v2\/comments?post=329"}],"version-history":[{"count":9,"href":"https:\/\/virtualperson.org\/deja-vu\/wp-json\/wp\/v2\/posts\/329\/revisions"}],"predecessor-version":[{"id":609,"href":"https:\/\/virtualperson.org\/deja-vu\/wp-json\/wp\/v2\/posts\/329\/revisions\/609"}],"wp:attachment":[{"href":"https:\/\/virtualperson.org\/deja-vu\/wp-json\/wp\/v2\/media?parent=329"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/virtualperson.org\/deja-vu\/wp-json\/wp\/v2\/categories?post=329"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/virtualperson.org\/deja-vu\/wp-json\/wp\/v2\/tags?post=329"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}